Nice Bombs

Your purchase will include the full feature documentary Nice Bombs, with extra scenes that were left out of the final film, and two short films, Bombshell: Iraqi Secret Videos and Artifacts from a Fallen Regime and Baba Boom Boom.

In Nice Bombs filmmaker Usama Alshaibi returns to Baghdad to reunite with his family after nearly 24 years. This documentary navigates through his unique relationship to an Iraq that is much different than the country of his childhood. Usama captures the conflicting reactions to the conditions of life in Baghdad. Through a wide range of opinions and experiences he provides a broad panorama of voices long neglected under Saddam’s regime. His cousin Tareef enters the room upon hearing an explosion. “It’s a bomb. A Nice Bomb,” he explains. The phrase is indicative of his family’s nonchalance about their situation. As one young boy put it, “We’re Iraqis. It’s normal.” With humor and resilience Nice Bombs explores Usama’s dual role as both Iraqi and American.

“thoroughly engaging …offers a uniquely time-layered vision of the war.” –Variety

“…a surprisingly warm first-person video diary… edited with grace and tact.” –Chicago Tribune by Michael Phillips

“Loaded with candid conversations and opinions about the hot-button issues of war, terrorism, and Islamic extremism,’Nice Bombs’ offers many different Iraqi and American points of view and portrays a time and place of nightmarish complexity.” –New York Sun

“Chicago filmmaker Usama Alshaibi grew up in Iraq and the U.S., and although he recently became an American citizen, his personal video documentary has plenty to say about the day-to-day existence of his Baghdad relatives, whom he visited in 2004. Distance tends to simplify our view of anything, and this video humanizes the situation on the ground mostly by complicating it: in a voice-over Alshaibi says he’s often asked what “”the Iraqis” think, but by the end this question has become as meaningless as asking what “the Americans” think. Much of his previous work has been experimental, but this becomes formally adventurous only near the end, as he converses by phone with a cousin who tells him how much worse the situation has grown this year.” -Jonathan Rosenbaum, Critics Choice, Chicago Reader